TRAVELOGUE SUBMISSION GUIDELINES

This Travelogue show offers a chance to share images from 1 or 2 of your travel destinations.

For this year's Travelogue show, we would like to hear about your photographic experience for your trip or holiday.  These do not have to be major tours.  The trip can be anything from a major foreign tour to a day spent in the Tucson area photographing.  It is your photography that is important.

What prompted you to take the photo?  If you used some interesting photographic technique, please tell us about it. 

For the current show, you can upload up to a total of 10 photographs combining photos from one or two trips. Of course you can submit fewer photos if you prefer.

Trips from the last 12 month are strongly preferred, but if you haven’t traveled within the last year, or if you have great photos not previously shared with the group from a prior year, that is also acceptable.

 Follow these steps for your Travelogue:

1) Pick up to 10 photos, either for one Travelogue or split into two with up to 5 photos each (or fewer photos if you prefer).

2) Name your photos as follows:

(First Name) (Last Name) – (Trip Name) (Photo Number)

For example: Joe Smith - Grand Canyon1. Each photo needs to be numbered in case we have so many entries that we have to cut a few.

Submit Your Photos:

Please submit your photos by no later than October 25 to allow Sharon 2 weeks to create the show since she is leaving November 8.

Upload your photos:
https://SaddleBrookeDIGS.smugmug.com/upload/g8v2fS/26Travelers

Once you are logged in, you can view your photos at:

Alan Shapiro will be presenting on Street Portraiture: It can change your life. And maybe someone else’s.

Alan Shapiro is a lifelong storyteller and a story gatherer.   These days, he just happens to always carry a camera.  When he talks about street (or environmental) portraiture, people immediately get anxious…intimidated.  His response is simple:  

What if all this is about sharing good karma?

Finding and Sharing gratitude?

Finding and Sharing joy and delight?

What if this practice could fix things?

Amplify things that needed more attention?

Help someone overlooked feel seen?

What if your interaction with a perfect stranger made them feel a little more perfect…and was the highlight of their day?

Join Alan for a presentation of stories, tips, and techniques about his experiences making portraits with perfect strangers and his cameras on (and off) city streets all over the world.

Alan Shapiro Bio:
Alan grew up on the creative side of the advertising world, working with clients around the world; telling their unique stories in very unique ways. He had the pleasure of collaborating with many, talented photographers and film directors. He became envious of their art and craft. At first, he saw it as a means of reducing his stress-filled life. As a Chief Creative Officer at the world’s largest Advertising Agency Network Omnicom, he needed a distraction. A friend gave him a camera. Then he bought another and another. His new hobby and daily “creative exercise regimen” turned into a joy-filled and all-consuming passion. Then, his first photo client called, followed by many more. 

His work can be seen throughout the entire hospital set on ABC’s The Good Doctor, in launch campaigns for the Apple iPhone and Nikon as well as for Cadillac, OnStar, Lockheed Martin, Die Zeit, Ricoh, Cotton Incorporated, Scholastic and numerous others. His work fills entire walls in Bose stores and Ritz Carlton Hotels worldwide and hangs in numerous private and corporate art collections. His macro, food and still life work can be seen in countless editorial publications and products from housewares to clothing to puzzles.

As much as Alan loves creating images, he genuinely loves to teach; sharing his workflow from capture through post-processing and printing. He is a super high-energy instructor with a knack for getting people out of their comfort zone as well as helping them discover and capture beautifully simple things in beautifully unexpected ways.

More Thoughts from Alan on Street Portraiture:

When I tell people how much I love street portraiture, environmental portraiture, whatever you want to call it…walking up to complete strangers and asking to make their picture, I watch something happen to their faces. Anxiety. A flinch. Abject fear. Like I just described jumping out of a plane.

Here's what I wish they understood instead: for me, this whole thing is just an excuse to share good karma. To go looking for gratitude, for joy, for delight, and then hand it to someone else like a gift no one knew I was carrying.

What if this practice could fix something? Amplify something that's been waiting too long for attention? Help someone who's gone unseen all day to feel seen, if just for a second?

Russell didn't speak much. I asked if I might spend a few moments capturing him, and he nodded. That was it. The entire negotiation, conducted in a single gesture.

There's something I always remind myself as I'm walking out and about with my camera: the bigger the smile you give, the bigger the smile you get. Don't get me wrong. I'm rarely fishing for a smile. Russell never smiled. I want to believe he tried once or twice.

But the smile isn't a request. It's a disclosure. It's me saying, before I even raise the camera: here's my heart. You can see it plainly. Now it's your turn to show me something true.

With Russell, what came back wasn't joy. It was something quieter. A kind of dignity that looked like it had been waiting all day, maybe longer, for someone to notice it was there.

That's the part nobody warns you about. The photograph isn't really the point. The photograph is what's left over after the actual thing happens, which is two strangers sitting on a park bench in the shadow of the Flatiron building, agreeing without saying so, that this moment…this face…this person, counts.

So, I will once again put these two questions into the universe:

What if your few minutes with a stranger were the best part of their day?

What if it was the best part of yours?

To find Alan and his work, go to:

AlanShapiroPhotography.com

Instagram: @alanshapiro515

Facebook: @alanwshapiro

This will be the January 2027 general meeting including a presentation by club member, Daniel LaCroix.   Speaker information and presentation content will be updated in Fall 2026.

Colleen Miniuk presenting

Depth on Depth:  Creating Dimension in Landscape Photographs

About Colleen:

Colleen Miniuk is a full‑time freelance outdoor photographer, author, instructor, and speaker from Chandler, Arizona, known for her nature and outdoor recreation work, award‑winning guidebooks, and “Sheography” women’s photography workshops.  Colleen is a corporate‑America‑escapee turned outdoor communicator, with a background in software project management at Intel before leaving in 2007 to pursue photography and writing full‑time.   She specializes in nature, outdoor recreation, and travel photography, and her work has appeared in National Geographic calendars, Arizona Highways, AAA VIA, On Landscape, National Parks Traveler, and other publications. 

Presentation Information :  

While humans see the world in three dimensions, a photographer can render an image of a scene through our camera in only two. Not only do our cameras "see" differently than our eyes and brains do, but also our own eyes can deceive us: what we see and what we think we see doesn't always line up. If we understand how humans see depth, we can consciously create a sense of shape and dimension in our visual compositions.

Get new ideas for transforming those uninspiring arrangements into engaging photographs during outdoor photographer Colleen's presentation entitled "In Depth on Depth: Creating Dimension in Landscape Photographs". Hear how to mindfully incorporate the three L’s (lines, layers, and light)—and even optical illusions to gain a more 3D look with your landscape images. Get your viewers to feel like they are IN your photograph!

If you'd like to check out Colleen's gorgeous work, please go to her website: 

https://www.colleenminiuk.com/